A true classic, Luboff's lush and distinctive a cappella arrangement of the traditional Bahamian spiritual is a standard in the choral performance repertoire. The treble version has been adapted by James E.

This famous Thomas Morley madrigal has been a favorite for years. With a limited five-note range for boys, the easy, independent vocal lines and carefully placed dynamics make this edition an excellent

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

"Bright morning stars are rising...Day is breaking in my soul..." This Appalachian folksong, arranged for a cappella voices, has a contemplative, spiritual quality. Opening and closing with a trio, it's a

This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.

Here's a very appealing, spirited a cappella choral! It sounds more difficult than it is, which allows a variety of choirs the opportunity to be challenged by unaccompanied singing. A soloist or small

This is the most appealing arrangement of a spiritual that has been done in a long, long time! The beginning employs a unique treatment of the word "hush" that emphasizes the last two letters of the word in

Now available in an SSA voicing, this choral work offers a taste of layered ostinatos and African polyrhythms and may be performed a cappella or with two or more percussionists.

Kenyan composer Teddy Kalanda Harrison and his group Them Mushrooms received worldwide recognition with their platinum-certified recording of this piece. With a fun percussion accompaniment, Jacob Narverud

This exciting spiritual, with accompaniment for high, medium, and low conga drums, is an unusually appealing number suitable for a wide variety of uses, from smaller choirs to massed choir